When to use it
- SaaS product marketing
- Corporate presentations
- Onboarding illustrations
- Tech landing pages
Flat illustration style with disproportionate figures, muted palettes, and tech-company ubiquity
Part of the Playfulness & Joy mood, alongside Kidcore and Memphis. Began in the 2010s, on the style timeline.

What it is, when it works, who it is for, and where it already exists.
Record 022-CM - when it works, who it is for, what it looks like
Where this aesthetic shows up in the real world · ↗ opens the source site
Where Corporate Memphis came from, what makes it recognisable, and the fingerprint it leaves.
2015–present · Silicon Valley startup culture; Slack, Mailchimp, and fintech branding
Corporate Memphis (also called 'Big Tech Illustration Style' or 'Startup Illustration') emerged as a recognizable aesthetic around 2017–2018, driven by the simultaneous adoption of a specific illustration style by major tech companies: Slack, Mailchimp, Robinhood, Headspace, Airbnb, and hundreds of smaller startups. The style derives from Memphis Design's flat color and organic shapes but adds specific elements: diverse humanoid figures with simplified, blobby proportions; bright but not fully saturated accent colors; and a consistent set of metaphors (collaboration, growth, connection) rendered in a cheerful, non-threatening idiom.
The style's rapid spread was enabled by the availability of illustration libraries on Stocksy, Undraw, Humaaans (Pablo Stanley's open-source figure system), and similar platforms. When a non-design startup could download a consistent set of custom-looking illustrations for free, the stylistic uniformity became inevitable. By 2020–2021, the style had become a target of widespread design community critique: a 2021 essay by Maisie Barker titled 'Why Do All Websites Look the Same?' identified Corporate Memphis as a symptom of design homogeneity driven by UX optimization rather than visual differentiation.
The critique is somewhat unfair: the style works well for its purpose. Its simplified human figures avoid the uncanny valley of photorealistic illustration; its bright palette reads as accessible and friendly; its flat style scales to any size and works across dark and light backgrounds. But its ubiquity has made it impossible for any individual company to communicate distinctiveness through it, which undermines the brand identity purpose illustration is supposed to serve.
“The visual language that promised humanity and delivered uniformity.
The visual DNA: what makes it recognisable
8-channel console with the fingerprint on its display. Save the card, or share the page
4 color interpretations of this aesthetic
The colour of the styles sitting closest to this one
How to shoot it, how to prompt it, and how to board it.
How to shoot this aesthetic
"Teamwork makes the dream work: diverse, rounded, and happening in a flat-design world"
Shot list
Lighting
Flat, even, friendly no shadow that suggests discomfort or drama; a large overhead softbox with a white reflector fill creates the well-lit safe space the aesthetic requires
Drop this into Studio to generate in this aesthetic
Corporate Memphis illustration style with flat rounded characters and disproportionate limbs, unnaturally saturated flat color fills, tech-startup landing-page ubiquity, friendly approachable geometric simplicity, contemporary vector-illustration polish
The record applied to your project. The record's kit is free; your brand, references and plates come with membership
01 · Hero applicationWhether to use it, what it costs to do properly, and where it stands right now.
Two written calls, seven meters, and when to walk away
The style is technically trivial and reputationally expensive. Flat figures with long limbs and no faces are quick to produce and instantly recognised as a placeholder, which is what makes the execution nearly irrelevant. Nothing in the drawing rescues the association. If it must be used, the differentiation has to come from colour and composition, because the figures cannot provide any.
Do not. It is the most criticised visual style of the last decade and the criticism landed: cheerful abstraction depicting companies doing something specific and often unpopular. Using it now reads as either unaware or resigned. If the brief genuinely needs friendly and scalable, almost any other illustration register carries less baggage.
Vector illustration only.
An oversaturated formula at this point. Hard to make it feel fresh.
Flat shapes and simple figures are genuinely easy to produce.
So oversaturated that even a competent version reads as generic.
The default illustration style for tech companies for years now.
Already showing real signs of backlash and fatigue.
Vector illustration only.
A Pro feature: origins, practitioners, and pitfalls
Neighbours, cross-references, blends, and the questions people ask.
Connected across the creative knowledge graph
Where it stands now, and what it costs you to use it
Corporate Memphis is the most criticised visual style of the last decade and the criticism is largely correct. It is a house style that spread because it was cheap, scalable and offended nobody.
The complaint is not that it is ugly but that it is evasive, using cheerful abstraction to depict companies that are doing something quite specific and often unpopular.
It is now a liability rather than a neutral choice. Using it reads as either unaware or resigned, and both are worse than picking something with a point of view.
Mix Corporate Memphis with any style in the library

Corporate Memphis 50%Vector Minimalism 50%Merged palette
#2D3436
#212121
#FF6B6B
#9E9E9E
#4ECDC4
Leads digital, structured, light
Typography · from Corporate Memphis
Raleway over Merriweather
Materials
The calls this blend forces
These two disagree on 3 things, and a blend cannot average them: you pick a side. At this mix:
Maximal or Minimal? Corporate Memphis is maximal, Vector Minimalism is minimal. This mix lands minimal.
Organic or Geometric? Corporate Memphis is organic, Vector Minimalism is geometric. This mix lands geometric.
Expressive or Restrained? Corporate Memphis is expressive, Vector Minimalism is restrained. This mix lands restrained.
Use it
Corporate Memphis illustration style with flat rounded characters and disproportionate limbs, unnaturally saturated flat color fills, tech-startup landing-page ubiquity, friendly approachable geometric simplicity, contemporary vector-illustration polish (50%), infused with Vector minimalist design with clean flat geometric shapes, perfectly smooth Bézier-curve linework, limited restrained color-block palette, precise mathematical simplicity, color palette strictly #2D3436 #212121 #FF6B6B #9E9E9E #4ECDC4, leaning maximal over minimal, organic over geometric, expressive over restrained, overall character: digital, structured, light
Corporate Memphis (also Big Tech Illustration Style) is the flat illustration aesthetic ubiquitous in tech startup branding from 2017 onward: simplified blobby human figures in diverse skin tones, bright muted colors, and friendly geometric shapes used to illustrate concepts like collaboration, growth, and connection. It's characterized by its rapid spread to the point of visual interchangeability.
The homogeneity of Corporate Memphis comes from: (1) availability of free illustration libraries (Humaaans, Undraw) that gave non-design teams access to a consistent visual style; (2) UX research showing the style tests well with users; (3) mimicry of successful companies (Slack, Mailchimp) by smaller startups. The style's success at meeting functional requirements made it the default, and defaults spread.
Alternatives that provide differentiation: custom editorial illustration with a distinctive hand; photography instead of illustration; 3D illustration (widely adopted 2019–2022); abstract geometric pattern instead of figure-based illustration; or deliberately un-friendly aesthetics (neubrutalism, maximalism) that signal the company's confidence in polarizing taste.
Every style in the library is broken down like this one: the palette, the typography, the materials and the lineage.
Explore the style library →