Terracotta sets the weight of the palette in warmth and creativity, and Olive Clay is the swatch that breaks rank: a single brown that stops the set reading as one note. Terracotta and Ochre are close enough in hue and lightness that most people will read them as one colour, which makes them a pair to separate rather than two choices to spend. Ochre is the loudest thing in the set and every swatch beside it is warm too, which gives the palette no way to cool a page down and no colour to rest an eye on.
Terracotta signals warmth, approachability, and creative energy, friendlier than red, louder than yellow.
Ochre a citrus-bright orange: enthusiasm, playfulness, an unmistakable call to attention.
Olive Clay a dusty taupe-brown, quiet and unassuming.
Rust Kilim carries urgency and appetite, the color the eye finds first.
Raw Linen a peach or apricot tint, all the friendliness of orange with none of the volume.
Layered pattern, warm earth pigment and handmade texture, collected over time rather than designed in one pass
Explore the full Bohemian style guideIts decade on the timeline · 1840s