OmoroShoot briefRoll 039Ser.05
Technical Sportswear aesthetic photography reference
RecTC 00:00:00:00

Technical Sportswear

Photograph the garment working: real weather, real movement, and three details that each do a job

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technical sportswear
SET

The setup

Shoot briefHD[technical spor]00:00:00:00Stop ■
Brief Int(technical-sp.BRF)

Technical Sportswear

01 LightAvailable daylight in the weather the garment is for: overcast, rain, wind, or the last of the light. One small hard source at dusk to wake the reflective detail. No studio, no beauty light.
02 WardrobeOne shell per frame in storm grey, black, slate blue or moss, with ripstop, stretch woven fabric and mesh. Show at most three technical details per picture. No extra straps, no pouches, no harness, no plates, nothing the body does not need.
03 LocationA wet hillside path
04 Palette
DIR

Director's note

Function has to be visible and true. Photograph in the weather the garment was made for and let the articulation read in motion: a bent knee, a raised arm, a hood filled with wind. Keep the palette restrained so the construction is the event. Never add a detail that does not do a job, and never imply a performance the fabric cannot deliver; a shell that is not waterproof should not be shot in rain.

All 151 director’s notes, printable: Director’s Briefs, $8 →
VF

Viewfinder

Live

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Technical Sportswear reference frame
Standby50mmMeteredf/5.6 · 1/125 · ISO 400

Running the list sets the camera for every shot in turn. Load your own photo to light and expose a frame you actually shot.

LGT

Light the set

3 lamps

Drag a lamp and watch the frame above change. The brief's own note is the preset

KeyThe light that makes the pictureMediumEye level
FillHow far into shadow you can seeMediumEye level
BackRound at the front, where it is just another fillOffEye level
On the brief
CS

Contact sheet

00 / 12

Nothing on the sheet yet. Set the camera, then take a frame.

SEQ

Shot list

00 / 05

Tap a pad to mark the frame shot · saved on this device

Full-length shot of a figure mid-stride uphill in rain, hood up, a lightweight ripstop shell with articulated knees, water beading on the face fabric, grey hillside behindsetup50mm
Action shot from the side with an arm raised, the underarm mesh ventilation open and the articulated elbow read as a bend rather than a wrinklesetup50mm
Close construction detail of a taped seam on the inside of the shell, the seam tape and the laminated zip tape sharp, the fabric held so the join is flatdetail100mm
Close textile detail of ripstop grid and stretch woven face meeting at a panel line, water sitting on the surface, one reflective piping line catching lightdetail100mm
Campaign scene at dusk on a wet street or trailhead, one figure walking away, the reflective detail picking up a single light source, storm grey and slate bluedetail100mmlow light
Rolling
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LOC

Locations

04
A wet hillside pathA city street in rain at duskA trailhead in windA stairwell or underpass with weather blowing through
REF

Explore the aesthetic

Style guideColor palette
DOC

About this brief

How do I photograph the Technical Sportswear aesthetic?

Photograph the garment working: real weather, real movement, and three details that each do a job.

Function has to be visible and true. Photograph in the weather the garment was made for and let the articulation read in motion: a bent knee, a raised arm, a hood filled with wind. Keep the palette restrained so the construction is the event. Never add a detail that does not do a job, and never imply a performance the fabric cannot deliver; a shell that is not waterproof should not be shot in rain.

Director's note

What shots should I get for a Technical Sportswear photo shoot?

Leave with every frame on this list.

Shot list

  1. Full-length shot of a figure mid-stride uphill in rain, hood up, a lightweight ripstop shell with articulated knees, water beading on the face fabric, grey hillside behind
  2. Action shot from the side with an arm raised, the underarm mesh ventilation open and the articulated elbow read as a bend rather than a wrinkle
  3. Close construction detail of a taped seam on the inside of the shell, the seam tape and the laminated zip tape sharp, the fabric held so the join is flat
  4. Close textile detail of ripstop grid and stretch woven face meeting at a panel line, water sitting on the surface, one reflective piping line catching light
  5. Campaign scene at dusk on a wet street or trailhead, one figure walking away, the reflective detail picking up a single light source, storm grey and slate blue
What lighting works for Technical Sportswear photography?

Available daylight in the weather the garment is for: overcast, rain, wind, or the last of the light. One small hard source at dusk to wake the reflective detail. No studio, no beauty light.

Light

Where should I shoot Technical Sportswear photography?

Scout these before anything else.

Locations

  1. A wet hillside path
  2. A city street in rain at dusk
  3. A trailhead in wind
  4. A stairwell or underpass with weather blowing through
What wardrobe works for Technical Sportswear photography?

One shell per frame in storm grey, black, slate blue or moss, with ripstop, stretch woven fabric and mesh. Show at most three technical details per picture. No extra straps, no pouches, no harness, no plates, nothing the body does not need.

Wardrobe

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