OmoroShoot briefRoll 025Ser.05
Fabric Over Photo aesthetic photography reference
RecTC 00:00:00:00

Fabric Over Photo

Print it, lay the cloth on it, then photograph the whole thing again

Roll 0255 frames0 / 5 shot
Frames00/05
fabric over photo
SET

The setup

Shoot briefHD[fabric over ph]00:00:00:00Stop ■
Brief Int(fabric-over-.BRF)

Fabric Over Photo

01 LightSoft, directional daylight. The fabric has to cast a real shadow onto the print: a raking window light separates cloth from paper, while flat light makes the whole thing look composited.
02 WardrobeWhatever is in the original portrait, kept plain. The cloth is the wardrobe: lace, tulle, organza and gauze in ivory, grey or one muted colour.
03 LocationA table by a north window
04 Palette
DIR

Director's note

Two exposures make this: a good portrait, then the same portrait covered. Print first, matte and generous, then lay real cloth on it and shoot it again, because a fabric texture layered in software has no shadow and no depth and everyone can see it. Cover half the face, not all of it. Keep the type off the veil.

All 151 director’s notes, printable: Director’s Briefs, $8 →
VF

Viewfinder

Live

Four controls on the brief's own plate · the meter is real, so you can blow a frame

Fabric Over Photo reference frame
Standby50mmf/5.6 · 1/125 · ISO 400

Running the list sets the camera for every shot in turn. Load your own photo to light and expose a frame you actually shot.

LGT

Light the set

3 lamps

Drag a lamp and watch the frame above change. The brief's own note is the preset

KeyThe light that makes the pictureSoft, farEye level
FillHow far into shadow you can seeHard, closeEye level
BackRound at the front, where it is just another fillOffEye level
On the brief
CS

Contact sheet

00 / 12

Nothing on the sheet yet. Set the camera, then take a frame.

SEQ

Shot list

00 / 05

Tap a pad to mark the frame shot · saved on this device

A printed portrait on matte paper with grey tulle pulled taut across the eyesportrait85mm
Lace laid loose over a face so the weave falls sharp on the paper and soft on the skin beneathsetup50mm
A print half covered by knotted organza, the knot pinned at the edge of the framesetup50mm
A framed portrait with gauze tied across the glass, shot at a slight angleportrait85mmthru glass
A macro where the fabric is in focus and the printed face behind it is notdetail100mm
Rolling
Take it to set: all 151 briefs as one PDF · $8
LOC

Locations

04
A table by a north windowA copy stand with the print pinned flatA framing bench with glass and pinsA plain wall where the print can hang and the cloth can drape
REF

Explore the aesthetic

Style guideColor palette
DOC

About this brief

How do I photograph the Fabric Over Photo aesthetic?

Print it, lay the cloth on it, then photograph the whole thing again.

Two exposures make this: a good portrait, then the same portrait covered. Print first, matte and generous, then lay real cloth on it and shoot it again, because a fabric texture layered in software has no shadow and no depth and everyone can see it. Cover half the face, not all of it. Keep the type off the veil.

Director's note

What shots should I get for a Fabric Over Photo photo shoot?

Leave with every frame on this list.

Shot list

  1. A printed portrait on matte paper with grey tulle pulled taut across the eyes
  2. Lace laid loose over a face so the weave falls sharp on the paper and soft on the skin beneath
  3. A print half covered by knotted organza, the knot pinned at the edge of the frame
  4. A framed portrait with gauze tied across the glass, shot at a slight angle
  5. A macro where the fabric is in focus and the printed face behind it is not
What lighting works for Fabric Over Photo photography?

Soft, directional daylight. The fabric has to cast a real shadow onto the print: a raking window light separates cloth from paper, while flat light makes the whole thing look composited.

Light

Where should I shoot Fabric Over Photo photography?

Scout these before anything else.

Locations

  1. A table by a north window
  2. A copy stand with the print pinned flat
  3. A framing bench with glass and pins
  4. A plain wall where the print can hang and the cloth can drape
What wardrobe works for Fabric Over Photo photography?

Whatever is in the original portrait, kept plain. The cloth is the wardrobe: lace, tulle, organza and gauze in ivory, grey or one muted colour.

Wardrobe

Omoro Studio · Creative System

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