Brass Handle sets the weight of the palette in warmth and creativity, and Concrete Dark is the swatch that breaks rank: a single charcoal that stops the set reading as one note. Concrete Dark to Studio Light spans 79 points of lightness, so the palette can carry its own hierarchy without reaching for a second one. Brass Handle leads a set that runs warm the whole way through, so any relief will have to come from lightness rather than from hue.
Concrete Dark is black's softer relative, still authoritative, but with enough warmth to feel considered rather than severe.
Terrazzo Grey is true neutrality, balance and restraint, a color that recedes so the palette's other choices can carry the emotional weight.
Brass Handle signals warmth, approachability, and creative energy, friendlier than red, louder than yellow.
Warm Wall a burnt or terracotta orange, warmth read through a rustic, sun-worn filter.
Studio Light a peach or apricot tint, all the friendliness of orange with none of the volume.
Gropius's school that lasted fourteen years and changed everything - where painting, weaving, typography, and building shared a single workshop belief that honest design could reform industrial society.
Explore the full Bauhaus Architecture style guideIts decade on the timeline · 1910s