Limestone sets the weight of the palette in warmth and creativity, and Cliff Shadow is the swatch that breaks rank: a single yellow that stops the set reading as one note. Cliff Shadow to Atlantic Light spans 84 points of lightness, so the palette can carry its own hierarchy without reaching for a second one. Rendered Wall and Atlantic Light are close enough in hue and lightness that most people will read them as one colour, which makes them a pair to separate rather than two choices to spend.
Cliff Shadow an olive-leaning yellow, cheer pulled toward something more serious.
Warm Stone a dusty taupe-brown, quiet and unassuming.
Limestone a burnt or terracotta orange, warmth read through a rustic, sun-worn filter.
Rendered Wall a burnt or terracotta orange, warmth read through a rustic, sun-worn filter.
Atlantic Light a peach or apricot tint, all the friendliness of orange with none of the volume.
Kenneth Frampton's theoretical weapon against placeless universalism - Álvaro Siza writing Portuguese light into every concrete wall, Glenn Murcutt threading corrugated iron through Australian bush, local material and climate elevated as resistance.
Explore the full Critical Regionalism style guideIts decade on the timeline · 1980s