Cube Face sets the weight of the palette in warmth and creativity, and Shadow Box is the swatch that breaks rank: a single yellow that stops the set reading as one note. Shadow Box to Montreal Light spans 75 points of lightness, so the palette can carry its own hierarchy without reaching for a second one. Montreal Light is the loudest thing in the set and every swatch beside it is warm too, which gives the palette no way to cool a page down and no colour to rest an eye on.
Shadow Box an olive-leaning yellow, cheer pulled toward something more serious.
Board Mark a dusty taupe-brown, quiet and unassuming.
Cast Grey is true neutrality, balance and restraint, a color that recedes so the palette's other choices can carry the emotional weight.
Cube Face a burnt or terracotta orange, warmth read through a rustic, sun-worn filter.
Montreal Light a peach or apricot tint, all the friendliness of orange with none of the volume.
Raw concrete as conviction - Brutalism treated exposed béton brut as an honest material statement, from Paul Rudolph's corrugated towers to Moshe Safdie's Habitat 67 stacked modules and Marcel Breuer's Whitney Museum.
Explore the full Brutalist Architecture style guideIts decade on the timeline · 1950s