Warm Grey sets the weight of the palette in warmth and creativity, and Print Black is the swatch that breaks rank: a single black that stops the set reading as one note. Print Black to Poster Paper spans 82 points of lightness, so the palette can carry its own hierarchy without reaching for a second one. Print Black and Photo Dark are close enough in hue and lightness that most people will read them as one colour, which makes them a pair to separate rather than two choices to spend.
Print Black reads as pure authority: sophistication, power, and the visual weight that makes everything placed near it feel more serious.
Soviet Red reads as pure adrenaline: alarm, desire, the color of things that move fast.
Photo Dark is black's softer relative, still authoritative, but with enough warmth to feel considered rather than severe.
Warm Grey a burnt or terracotta orange, warmth read through a rustic, sun-worn filter.
Poster Paper a peach or apricot tint, all the friendliness of orange with none of the volume.
Photomontage energy - cut-and-paste urgency from Dada, Constructivism, and punk zine culture combined into visceral visual communication
Explore the full Collage style guideIts decade on the timeline · 2010s