Stone Shadow sets the weight of the palette in trust and stability, and Joint Dark is the swatch that breaks rank: a single charcoal that stops the set reading as one note. Joint Black to Gallery Light spans 81 points of lightness, so the palette can carry its own hierarchy without reaching for a second one. Saturation averages 10 percent, so close to grey that Stone Shadow reads as a colour accent purely by being the least grey thing present.
Joint Dark is black's softer relative, still authoritative, but with enough warmth to feel considered rather than severe.
Stone Shadow a dusty or steel blue, trust read as quiet reliability rather than corporate polish.
Travertine a dusty or steel blue, trust read as quiet reliability rather than corporate polish.
Gallery Light a peach or apricot tint, all the friendliness of orange with none of the volume.
Joint Black reads as pure authority: sophistication, power, and the visual weight that makes everything placed near it feel more serious.
Modernism returned to - not as nostalgia but as unfinished business: David Chipperfield's immaculate civic precision, Annabelle Selldorf's cultural institutions, Johnston Marklee's material exactness, all recovering what postmodernism abandoned.
Explore the full Neo-Modernism style guideIts decade on the timeline · 1990s