Bronze sets the weight of the palette in optimism and clarity, and Lobby Black is the swatch that breaks rank: a single charcoal that stops the set reading as one note. Lobby Black to Marble Cream spans 73 points of lightness, so the palette can carry its own hierarchy without reaching for a second one. Bronze and Brass are close enough in hue and lightness that most people will read them as one colour, which makes them a pair to separate rather than two choices to spend.
Lobby Black is black's softer relative, still authoritative, but with enough warmth to feel considered rather than severe.
Bronze an electric, high-visibility yellow: caution and euphoria share the same wavelength here.
Brass an electric, high-visibility yellow: caution and euphoria share the same wavelength here.
Gilt an electric, high-visibility yellow: caution and euphoria share the same wavelength here.
Marble Cream a pale butter yellow, gentle brightness, comfort more than alarm.
Jazz-age optimism in stainless steel and gilded terracotta - the Chrysler Building's eagle gargoyles, Rockefeller Center's gilded Prometheus, and the setback zigzag tower that defined the American city between the wars.
Explore the full Art Deco Architecture style guideIts decade on the timeline · 1920s