Stability and reliability carry the palette from Old Timber outward, with the remaining swatches arranged around that rather than competing with it. Old Timber and Rust Iron are close enough in hue and lightness that most people will read them as one colour, which makes them a pair to separate rather than two choices to spend. Gallery Wall is the loudest thing in the set and every swatch beside it is warm too, which gives the palette no way to cool a page down and no colour to rest an eye on.
Old Timber a near-black espresso brown, weight and gravity without going fully neutral.
Aged Brick a dusty taupe-brown, quiet and unassuming.
Reclaimed Wood signals warmth, approachability, and creative energy, friendlier than red, louder than yellow.
Gallery Wall a peach or apricot tint, all the friendliness of orange with none of the volume.
Rust Iron a dusty taupe-brown, quiet and unassuming.
The highest form of sustainability is using what already exists - Tate Modern read a decommissioned Bankside power station as a turbine hall gallery, the High Line saw an elevated freight rail as a park, and Lacaton & Vassal transformed Grand Parc housing without moving a single tenant.
Explore the full Adaptive Reuse style guideIts decade on the timeline · 1960s