Shadow Arch sets the weight of the palette in warmth and creativity, and Bronze Panel is the swatch that breaks rank: a single brown that stops the set reading as one note. Shadow Arch to Paris Stone spans 78 points of lightness, so the palette can carry its own hierarchy without reaching for a second one. Shadow Arch is the loudest thing in the set and every swatch beside it is warm too, which gives the palette no way to cool a page down and no colour to rest an eye on.
Shadow Arch a deep rust or umber, orange's heat banked into something earthy and lived-in.
Bronze Panel a near-black espresso brown, weight and gravity without going fully neutral.
Limestone a burnt or terracotta orange, warmth read through a rustic, sun-worn filter.
Carved Face a burnt or terracotta orange, warmth read through a rustic, sun-worn filter.
Paris Stone a peach or apricot tint, all the friendliness of orange with none of the volume.
The Enlightenment's archaeological return to Greece and Rome - Schinkel's Altes Museum colonnade reading Prussian sky against Greek portico, Soane's Bank of England as a ruinous fantasy, Jefferson's UVA as a republic of reason built in brick and white column.
Explore the full Neoclassical Architecture style guideIts decade on the timeline · 1750s