Shadow Shard sets the weight of the palette in optimism and clarity, and Dark Ochre is the swatch that breaks rank: a single brown that stops the set reading as one note. Shadow Shard to Ground Tone spans 81 points of lightness, so the palette can carry its own hierarchy without reaching for a second one. Ground Tone is the loudest thing in the set and every swatch beside it is warm too, which gives the palette no way to cool a page down and no colour to rest an eye on.
Shadow Shard an olive-leaning yellow, cheer pulled toward something more serious.
Dark Ochre a dusty taupe-brown, quiet and unassuming.
Warm Grey a burnt or terracotta orange, warmth read through a rustic, sun-worn filter.
Pale Ochre a mustard or ochre yellow, optimism weathered into something wiser and more textured.
Ground Tone a pale butter yellow, gentle brightness, comfort more than alarm.
Fragmented forms showing multiple perspectives simultaneously
Explore the full Cubism style guideIts decade on the timeline · 1900s